On this day in 1944, writing instructor Gary Provost was born. Provost earned his living as a freelance writer, authoring over 1,000 stories and articles. He also wrote books in a variety of genres, including young adult novels, true crime books, and books about writing.
In 1985, Provost published a comprehensive guide for writers called 100 Ways to Improve Your Writing. In the book Provost covered a range of topics, from overcoming writer’s block to avoiding punctuation errors. One particularly brilliant chapter of the book is on sentence variety. Provost might have simply told his readers about the importance of sentence variety; instead, in one of the greatest meta-paragraphs ever written, he shows the reader:
This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important. (1)
As Provost’s paragraph illustrates, good writing has the rhythm and resonance of spoken language. Writers can’t write exactly like they talk. After all, much of our spoken language relies on nonverbal cues. Writers can, however, imitate one universal trait of spoken language: variety in sentence length – some long, some medium, and some short. As you revise your writing, read it aloud. When your sentences begin to sound monotonous, check for variety in the length of your sentences, as well as for variety in the type of sentences you write. Often your ears will catch problems that your eyes missed. Try it.
Today’s Challenge: Hold Your Ear Up to This Paragraph
What would you say is the secret to making written sentences sound as natural as spoken sentences? The paragraph below does not have much variety in sentence lengths. Read the paragraph aloud, and listen to where it could be improved. Then, revise the paragraph by breaking up or combining sentences as needed. You may eliminate any unnecessary words, but try not to eliminate any of the paragraph’s key ideas:
The words in a sentence are like Lego building blocks. The English sentence is made up of various parts. These parts snap together like Legos of logic. You can construct solid, syntactical structures to make sentences. English words, phrases, and clauses come in multiple colors and forms. The sentence builder can use them to construct many creations. Some of these creations are small, some are medium, and some are large. There’s no end to the fun you can have building sentences.
As you complete your revision, read it aloud. When you have finished, write down the number of words in each sentence. Check the range of the number of words in each of your sentences. Do you have some that are long, some that are medium, and some that are short? Use this strategy on your own paragraphs as a method of revision. Read aloud. Revise. And try to capture the magic of the spoken word in your sentences.
Quotation of the Day: Though the daily paper contains much that is swill, it also contains some good writing. From it you can learn to write leanly, you can learn to get to the point, and you can learn to compress several facts into a single clear sentence. -Gary Provost